{"id":2860,"date":"2026-04-14T12:30:40","date_gmt":"2026-04-14T11:30:40","guid":{"rendered":"https:\/\/birminghamski.com\/?p=2860"},"modified":"2026-04-21T10:27:21","modified_gmt":"2026-04-21T09:27:21","slug":"a-festival-that-doesnt-try-to-please-everyone-how-birmingham-created-supersonic","status":"publish","type":"post","link":"https:\/\/birminghamski.com\/en\/eternal-2860-a-festival-that-doesnt-try-to-please-everyone-how-birmingham-created-supersonic","title":{"rendered":"A festival that doesn\u2019t try to please everyone: how Birmingham created Supersonic"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Birmingham has a real love for festivals, although lately this love has come to resemble a long-distance relationship. Some of the city\u2019s iconic festivals are gradually disappearing from the map\u2014partly due to \u2018budget cuts\u2019 and partly for more mundane reasons. Others, however, continue to set the standard and demonstrate that the festival industry here is still alive. Among them are the Birmingham International Dance Festival and the Jazz &amp; Blues Festival, whilst the Birmingham Mela behaves as if it will outlast all administrative reforms combined.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">You might think that, against the backdrop of such changes, the festival\u2019s pace might slow down a little. But Birmingham has one distinctive trait: if one door closes, it finds another\u2014sometimes even in a basement\u2014and organizes a new event there.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So, alongside the official events and festivals that rely on momentum and tradition, there is another scene here\u2014one that is less predictable and far more interesting. These are events that don\u2019t try to be convenient or \u2018tourist-friendly.\u2019 It is precisely these that people talk about the most afterward, often with a mixture of excitement and mild shock. You can read about one such festival\u2014a little strange but very lively\u2014here: <a href=\"http:\/\/birminghamski.com\">birminghamski.com.<\/a><\/p>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_74 counter-hierarchy ez-toc-counter ez-toc-custom ez-toc-container-direction\">\n<label for=\"ez-toc-cssicon-toggle-item-6a7419ead1141\" class=\"ez-toc-cssicon-toggle-label\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6a7419ead1141\"  aria-label=\"Toggle\" \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/birminghamski.com\/en\/eternal-2860-a-festival-that-doesnt-try-to-please-everyone-how-birmingham-created-supersonic\/#Supersonic_Festival_how_it_all_began\" >Supersonic Festival: how it all began<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/birminghamski.com\/en\/eternal-2860-a-festival-that-doesnt-try-to-please-everyone-how-birmingham-created-supersonic\/#Britains_best_small_festival\" >Britain&#8217;s best small festival<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/birminghamski.com\/en\/eternal-2860-a-festival-that-doesnt-try-to-please-everyone-how-birmingham-created-supersonic\/#Birmingham_as_a_stage_the_festivals_industrial_DNA\" >Birmingham as a stage: the festival\u2019s industrial DNA<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/birminghamski.com\/en\/eternal-2860-a-festival-that-doesnt-try-to-please-everyone-how-birmingham-created-supersonic\/#Whos_taking_to_the_Supersonic_stage_and_why_its_so_memorable\" >Who\u2019s taking to the Supersonic stage and why it\u2019s so memorable<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/birminghamski.com\/en\/eternal-2860-a-festival-that-doesnt-try-to-please-everyone-how-birmingham-created-supersonic\/#Europes_swift_response_and_what_happens_next\" >Europe\u2019s swift response and what happens next<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Supersonic_Festival_how_it_all_began\"><\/span>Supersonic Festival: how it all began<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1260\" src=\"https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image.jpeg\" alt=\"\" class=\"wp-image-2864\" srcset=\"https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image.jpeg 2048w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-300x185.jpeg 300w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-768x473.jpeg 768w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-1536x945.jpeg 1536w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-696x428.jpeg 696w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-1920x1181.jpeg 1920w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The story of the Supersonic Festival began quite simply\u2014with an interest in experimental music and a desire to give it the space it had always lacked.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The idea for the <a href=\"https:\/\/birminghamski.com\/uk\/eternal-1223-bearded-theory-veselyj-festyval-u-birmingemi-do-yakogo-2-godyny-yizdy-50-brytancziv\">festival<\/a> came from the team behind the Birmingham-based arts organisation Capsule, founded by Lisa Meyer and Jenny Moore\u2014a small but determined cultural initiative that grew out of organising small parties and exhibitions in Birmingham. The festival itself was launched in 2003. Without huge budgets, without ambitions to \u2018create a new Glastonbury Festival\u2019 and certainly without any plans to please everyone at once.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On the contrary\u2014right from the start, Supersonic positioned itself as an <a href=\"https:\/\/birminghamski.com\/ru\/eternal-1240-bearded-theory-veselyj-festival-v-birmingeme-do-kotorogo-2-chasa-ezdy-50-britanczev\">event<\/a> for those who had grown a little tired of the usual festival format. Here, they\u2019ve brought together what is usually scattered across underground clubs, small stages, and niche music communities. We\u2019re talking about noise, avant-garde, experimental electronica, post-metal, and so on.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Despite its \u2018unconventionality\u2019 for the general public, the <a href=\"https:\/\/birminghamski.com\/ru\/eternal-1189-birmingham-weekender-besplatnyj-semejnyj-festival-kotoryj-obedinyaet-vse-iskusstva\">festival<\/a> began to attract artists and audiences from various countries. It quickly gained cult status within the European underground scene. This was not due to its scale but to its recognisable uncompromising nature and desire to do things its own way.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This wasn\u2019t a case of someone in an office deciding, \u2018Let\u2019s have another <a href=\"https:\/\/birminghamski.com\/en\/eternal-2034-st-patricks-day-in-birmingham\">festival<\/a>.\u2019 Quite the opposite, in fact\u2014there was music that simply had nowhere else to go. It didn\u2019t fit into the usual formats, didn\u2019t strive to be convenient, and generally behaved as if it didn\u2019t care about the rules. At some point it became clear: either it would once again be scattered across basements and small stages, or we would have to invent a separate space for it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And that\u2019s how Supersonic came about\u2014as a solution to a problem that no one had really planned to solve.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Britains_best_small_festival\"><\/span>Britain&#8217;s best small festival<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1273\" src=\"https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-1.jpeg\" alt=\"\" class=\"wp-image-2867\" srcset=\"https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-1.jpeg 2048w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-1-300x186.jpeg 300w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-1-768x477.jpeg 768w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-1-1536x955.jpeg 1536w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-1-696x433.jpeg 696w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-1-1920x1193.jpeg 1920w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Lisa Meyer and Jenny Moore didn\u2019t have their own permanent venue, but they did have a clear vision of their goal\u2014to create an event \u2018by artists, for artists.\u2019 The festival quickly grew beyond the local scene. Within just a few years, it was repeatedly named one of Britain\u2019s best small festivals by leading music publications, attracting artists and audiences from across Europe and the US.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It is also important to note that Supersonic has never been merely a series of concerts. It is a multidisciplinary event where music, performance, and visual art exist inseparably, blurring the line between the stage and experimentation.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Birmingham_as_a_stage_the_festivals_industrial_DNA\"><\/span>Birmingham as a stage: the festival\u2019s industrial DNA<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1269\" src=\"https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-2.jpeg\" alt=\"\" class=\"wp-image-2870\" srcset=\"https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-2.jpeg 2048w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-2-300x186.jpeg 300w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-2-768x476.jpeg 768w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-2-1536x952.jpeg 1536w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-2-696x431.jpeg 696w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-2-1920x1190.jpeg 1920w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">One of the things that sets Supersonic apart is its relationship with its surroundings. The festival has always been drawn to places with character, and the heart of this aesthetic has become the Digbeth district\u2014Birmingham&#8217;s industrial heartland.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Former industrial warehouses, railway arches and Victorian-era workshops became the festival\u2019s natural backdrops. However, this was not an attempt to stage a \u2018wild rave in the ruins.\u2019 The organisers transformed the austere concrete spaces into high-tech venues. Despite the visual \u2018grossness\u2019 of the venues, particular attention was paid to the sound: the festival became famous precisely for its ability to tame the acoustics of complex industrial halls, ensuring a clear and powerful sound, even for the most challenging genres.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Often, the venues themselves dictated the format of the performances. In some places, the sound echoed off the high walls; in others, the vibration of trains overhead (in the railway arches) became part of the performance. The programme was often adapted to the specifics of the venue\u2014from intimate performances in dark alleyways to large-scale shows at the Custard Factory or grand organ sets at the Town Hall.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Whos_taking_to_the_Supersonic_stage_and_why_its_so_memorable\"><\/span>Who\u2019s taking to the Supersonic stage and why it\u2019s so memorable<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1158\" src=\"https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-3.jpeg\" alt=\"\" class=\"wp-image-2873\" srcset=\"https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-3.jpeg 2048w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-3-300x170.jpeg 300w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-3-768x434.jpeg 768w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-3-1536x869.jpeg 1536w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-3-696x394.jpeg 696w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-3-1920x1086.jpeg 1920w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Supersonic has never gone after chart-topping artists or stadium \u2018stars.\u2019 Its headliners are usually underground legends whom your neighbours have never heard of but for whom people are willing to fly across the ocean.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The lineup here features a mix of Japanese noise, Scandinavian free jazz, Brooklyn experimental metal and British folk-rock. On the same stage, established sound artists sit comfortably alongside DIY punks who cobble together instruments from scrap and chaos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A particular highlight of the festival is its defiance of the \u2018gender norms\u2019 of the heavy metal scene. Whilst other metal festivals have been debating quotas for years, the organisers at Capsule simply put on an inclusive event where there are sometimes more women and non-binary artists in the line-up than bearded men in black T-shirts.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The audience here are not casual passers-by, but pilgrims. Yes, that\u2019s exactly how you could describe people who travel from London, Manchester or Berlin not just to listen to music but to \u2018feel the sound in their guts,\u2019 deriving pure delight from it. For these people, there is nothing surprising about this, as some performances, such as the legendary sets by Sunn O))) or Godflesh, are remembered not for their melodies, but for the physical pressure of the sound waves, which literally push you into the concrete.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This isn\u2019t just an \u2018experiment for the sake of it.\u2019 It\u2019s a big, lively and sometimes strange conversation about how music isn\u2019t always about comfort. At Supersonic, \u2018interesting\u2019 always trumps \u2018comfortable,\u2019 and the market selling vinyl and zines in the corner serves as a reminder that half the people in the hall are musicians, artists or publishers themselves.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Europes_swift_response_and_what_happens_next\"><\/span>Europe\u2019s swift response and what happens next<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1651\" src=\"https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-4.jpeg\" alt=\"\" class=\"wp-image-2876\" srcset=\"https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-4.jpeg 2048w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-4-300x242.jpeg 300w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-4-768x619.jpeg 768w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-4-1536x1238.jpeg 1536w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-4-696x561.jpeg 696w, https:\/\/cdn.birminghamski.com\/wp-content\/uploads\/sites\/60\/2026\/04\/image-4-1920x1548.jpeg 1920w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Despite its \u2018unconventional\u2019 nature, Supersonic quickly spread beyond Birmingham and became a prominent fixture on the European cultural scene. The reason is simple: it offered something that was missing even from Europe\u2019s extensive festival scene\u2014an honest space for experimentation without any attempts to \u2018water it down\u2019 for a mass audience. It was precisely this principled rejection of a commercial format that made it recognisable and attractive to artists and audiences from different countries.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Over time, the festival has become a meeting point for underground scenes from across the continent, where it is not scale that matters, but the quality of the experience and the sense of a shared cultural \u2018laboratory\u2019.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As for the future, Supersonic continues to adhere to its development philosophy: not to expand at any cost, but to maintain a format that allows experimentation to remain experimentation. The organisers continue to focus on new forms of performance, interdisciplinary collaborations and an even deeper integration of music with visual art and space. And it seems that it is precisely this steadfastness in its own format that is the main guarantee that the festival will not lose its impact.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sources:&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.bbc.co.uk\/birmingham\/content\/articles\/2006\/07\/05\/supersonic_festival1_2006_feature.shtml\" target=\"_blank\" rel=\"noopener\">https:\/\/www.bbc.co.uk\/birmingham\/content\/articles\/2006\/07\/05\/supersonic_festival1_2006_feature.shtml<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/echoesanddust.com\/2024\/08\/lisa-meyer-supersonic-festival\/\" target=\"_blank\" rel=\"noopener\">https:\/\/echoesanddust.com\/2024\/08\/lisa-meyer-supersonic-festival\/<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/supersonicfestival.com\/tag\/history\/\" target=\"_blank\" rel=\"noopener\">https:\/\/supersonicfestival.com\/tag\/history\/<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.theguardian.com\/music\/article\/2024\/sep\/02\/supersonic-festival-review-an-awesome-windmill-of-noise-and-connection\" target=\"_blank\" rel=\"noopener\">https:\/\/www.theguardian.com\/music\/article\/2024\/sep\/02\/supersonic-festival-review-an-awesome-windmill-of-noise-and-connection<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.inspitemagazine.com\/in-spite-articles\/supersonic24-day3\" target=\"_blank\" rel=\"noopener\">https:\/\/www.inspitemagazine.com\/in-spite-articles\/supersonic24-day3<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Birmingham has a real love for festivals, although lately this love has come to resemble a long-distance relationship. Some of the city\u2019s iconic festivals are gradually disappearing from the map\u2014partly due to \u2018budget cuts\u2019 and partly for more mundane reasons. Others, however, continue to set the standard and demonstrate that the festival industry here is [&hellip;]<\/p>\n","protected":false},"author":281,"featured_media":2861,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[188],"tags":[2022,2027,1349,2029,2030,2026,2025,2024,2016,2017,2020,2028,2019,2021,2018,2023],"moimportance":[30,33],"motype":[196],"moformat":[76],"class_list":["post-2860","post","type-post","status-publish","format-standard","has-post-thumbnail","category-festival-en","tag-alternative-culture-in-birmingham","tag-avant-garde-music","tag-birmingham-festivals","tag-capsule-birmingham","tag-contemporary-european-festivals","tag-custard-factory","tag-digbeth-birmingham","tag-european-music-events","tag-european-underground-festivals","tag-experimental-music","tag-festivals-in-birmingham","tag-industrial-culture","tag-noise-music","tag-post-metal-festivals","tag-supersonic-festival","tag-uk-music-festivals","moimportance-golovna-novyna","moimportance-retranslyacziya-v-agregatory","motype-eternal","moformat-longread-short"],"_links":{"self":[{"href":"https:\/\/birminghamski.com\/en\/wp-json\/wp\/v2\/posts\/2860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/birminghamski.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/birminghamski.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/birminghamski.com\/en\/wp-json\/wp\/v2\/users\/281"}],"replies":[{"embeddable":true,"href":"https:\/\/birminghamski.com\/en\/wp-json\/wp\/v2\/comments?post=2860"}],"version-history":[{"count":2,"href":"https:\/\/birminghamski.com\/en\/wp-json\/wp\/v2\/posts\/2860\/revisions"}],"predecessor-version":[{"id":3119,"href":"https:\/\/birminghamski.com\/en\/wp-json\/wp\/v2\/posts\/2860\/revisions\/3119"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/birminghamski.com\/en\/wp-json\/wp\/v2\/media\/2861"}],"wp:attachment":[{"href":"https:\/\/birminghamski.com\/en\/wp-json\/wp\/v2\/media?parent=2860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/birminghamski.com\/en\/wp-json\/wp\/v2\/categories?post=2860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/birminghamski.com\/en\/wp-json\/wp\/v2\/tags?post=2860"},{"taxonomy":"moimportance","embeddable":true,"href":"https:\/\/birminghamski.com\/en\/wp-json\/wp\/v2\/moimportance?post=2860"},{"taxonomy":"motype","embeddable":true,"href":"https:\/\/birminghamski.com\/en\/wp-json\/wp\/v2\/motype?post=2860"},{"taxonomy":"moformat","embeddable":true,"href":"https:\/\/birminghamski.com\/en\/wp-json\/wp\/v2\/moformat?post=2860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}